First, the drawing:  
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| Really loose blocking, to place everything in the composition - this is often transferred from the thumbnail. Then, I start on the face. (I write notes to myself as I draw, which are more often than not just self-abuse and sarcasm.) | 
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| I work from the face down, with some toning in the background to place the figure as I draw it in. | 
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| Drawing just about done! | 
When I'm done with the drawing, I scan it, blow it up to the size of my board, print it out, and transfer the lines with transfer paper. Then I paint:
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| My working setup: reference (color, value, misc), the drawing, ghetto-fab mahl stick (dowel + c-clamp), rag. Painting starts are ugly things. (Don't ask me why I toned my board orange.) | 
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| Still ugly. | 
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| Less ugly, but I've lost a lot of the drawing in the face. | 
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| End of the first pass on the face. | 
I stopped taking progress shots after this, it being around the time that I had my 
hissy fit and almost gave this painting up as a gross ugly stillborn failure. By the time I got over myself, I'd completely forgotten about documenting the progress.
 
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